top of page

ABOUT

I am a New York-based Taiwanese American maker, educator, and musician. I work in the intersection of ceramics, sound, and history. Fascinated by the physics of sound and the unique acoustics of clay, I combine handbuilding and wheel throwing techniques to create interactive sound sculptures and musical instruments inspired by those made in ancient cultures.

 

Instead of replicating historical objects, I reinterpret them through a contemporary lens. By blending tradition with innovation to create objects that feel both familiar and surprising, I hope to encourage an exploration of how sound and material culture have shaped human history.

​

From my background teaching music in public schools, hands-on participation has always been important to me. I view my work as complete when they are activated through live performances and discovery sessions where the audience is invited to touch, feel, and play. I want to bridge the gap between the creator and the observer, the past and the present, and transforming historical knowledge into a sensory experience. I also hope that my work can illuminate lesser-known ancient traditions worldwide and spark curiosity about the cultural significance of sound and ceramics.
 

Eugenie holds a Bachelor of Music in Music Education, and a Master of Arts in Arts Administration both from New York University, and a Master of Fine Arts in Ceramics from Queens College, City University of New York. She has also led multiple ceramic musical instrument workshops and currently teaches at local pottery studios. Her work has been exhibited internationally. She is supported by fellowships including Social Practice CUNY in New York and Microtonal Music Studios in Finland and the Thomas Chen Family/Crystal Windows Endowment scholarship. 

CV is available upon request: eugeniechaostudio@gmail.com

bottom of page